Poetry
poetry is not a luxury. It is a vital necessity of our existence ~ Audre Lorde
Untitled
i. An ex-lover told me that I chew people up and spit them out after I am finished with them. They are left half-consumed, the enzymes from my saliva still working at their gnawed flesh. I cannot deny the way I used to toy around with hearts like a curious kitten, pawing back and forth at them until they served no use to me.
I did not know what love was then.
Maybe I still don’t.
ii. Jackson C. Frank’s warbling through the tin-toned speakers reminds me that even if I caught a boat back to England, maybe even to Spain, that the blues would catch up with me either way. And not the type of blue that washes over you as a weighted blanket, a calm that envelops you in peaceful slumber. But rather a blue in which you drown, that eventually consumes you in all manners of sadness. A dark blue tidal wave crashes into you, shifting tides and carrying you in its undertow as you struggle to surface.
Please do not leave me.
Please do not make me succumb to this spectrum of blue.
iii. Scars are just the remnants of an open and bare flesh wound. One day, with time and effort, they will heal. Topical ointments do their damnedest to soothe the tissue, but it is not a cure-all healing salve. Just like heartbreak. Just like the way you left in the middle of the night, in silence. A ghost that haunts me even now; to this day. Perhaps I deserve this. Maybe it is our God-given right to have our souls remain shackled at the ankles for all our transgressions against one another.
You were right: I am but a lowly sinner, I can try to atone at your feet, exalting your name and paying you alms for all the petty jabs and stabs I managed to get in.
But so are you.
A toxic flower with petals unfurled, yearning to bloom, but no proper fertiliser and care, so you remain an unsprouted bulb, your roots so meek and feeble that the former shadow of yourself no longer exists.
by Christa Lei
Breaded Chicken Fillet with Egg Recipe
Trigger warnings: implied eating disorder, body shaming
—
One: boneless chicken breast–spineless as you are. You laugh at the shadow of my reflection and yet you loathe yours; you simply cannot bear the sight of your own face dawning upon you. How does it feel to be wretchedly cruel, to the world and to yourself? Two: marinate Italian style. Ride the yacht you cannot afford and come home to your two-storey apartment paid with dirty money. Speak a language you cannot fathom. Call me when you need me, between the lines of “what does it all mean?”; let me ask you the same: how did you mean it all? Ridicule me, please, for not believing in a god that let your most beloved pass as though their existence were disposable. How can you live with it all, carrying the weight of your words like twisting a dull knife pierced into my wound? I make it all about me, don’t I? (I do, I do, I do) If I make this about you, will you forgive me for my untamed wit they all keep chasing me for? Three: eggs. The first crack in the shell is in the image of you crumbling beneath the lightest of pressure. The unfamiliar has always been daunting, hasn’t it? I wonder if you think of me now, between the lines of the poem you so desperately try to comprehend, yet it remains unbeknownst to you. Where has your brain gone amidst all the facade that is your beauty? Does it hide beneath all your grandeur? Four: garlic. Freshly minced to perfection. You do have an eye for it, don’t you? Every crevice of my existence is a sin for yours. All that I am was a pitiful cry for help; the girl meant to be at the back of the photograph—were their preening eyes enough to make a saint out of you? Serve on a sizzling plate. Hot and scorching and burning through your bones. It was debilitating to be known by you. The love I know of now at the touch of my fingertips is a far cry from the grasp of your cold hands. Let me devour what I deserve for it is all mine—none of the food in your mouth is ever worth digesting. I am sorry for choking you with a love you never deserved. I have learned my lesson to not swallow things I cannot fit in the roof of my mouth. All of it now is teeth and gums–a vision you would surely die for. Wallow in the limelight of my glory, would you? The pleasure is all mine.
para mi vato
unas palabras para el vato que quiero
a piece of mexican love, from my chicana heart.
mi vato, eres lluvia
eres mi tristeza y mi crecimiento,
me haces sentir diferente cada día,
aunque mis emociones terminan siendo las mismas,
te quiero, podría declarar fácilmente bajo cualquier juramento – eres tu, vato, el que tiene mi corazón.
yo sé que tu sabes –
pero también sé que el recordatorio no hace daño. así que por última vez, mi vato, te quiero.
sinceramente,
mia.
by M.S. Blues
mi amor está aquí (esperándote)
para chris
–
siempre fui hipnotizado por ti, quierdo,
mucho antes de que te conviertes en hombre, te quiera.
cuando dejamos de hablar la primera vez, traté de olvidarte.
me entregué a las distracciones y al mal amor.
lo cual funcionó, porque durante años, mi mente estaba vacía de cualquier recuerdo tuyo.
luego vino el cine el 1 de noviembre mi cumpleaños –
habían pasado años desde que te vi,
sin embargo, viejos sentimientos regresaron a mi corazón,
y me di cuenta de que ahora eres un hombre, ya no solo el vato que me gustaba en aquel entonces –
tu voz se hizo más profunda,
tus ojos tenían un propósito,
y tu boca pronunció palabras reales,
no las tonterías y maldiciones que pronunciamos en aquel entonces.
después de estas observaciones, supe que mi amor se había encendido nuevamente,
sólo la llama era mayor que antes.
continúe siguiendo esa llama,
… y comenzamos a hablar de nuevo,
olvidándonos de los años transcurridos entre nosotros.
era como si volviéramos a ser jóvenes, salvajes, y libres.
a medida que pasaban los días, más me enamoraba de ti.
se volvió demasiado difícil de soportar,
así que un día abrí la boca y te lo dije,
y tu amor mió, respondiste diciendo: “intentemoslo.”
no podría haber estado más feliz.
pero, como suele decirse, la felicidad no llega fácilmente,
me abandonaste, amor, antes de que pudiéramos dar el primer paso juntos como uno solo.
no entendí, así que hice lo que sólo sabía. me fui de nuevo y tomamos caminos separados.
pero eso no significa que no estuviera devastada.
durante meses, amor mió, eras todo lo que tenía en mente.
cerraría los ojos y tu rostro estaría allí, mientras tu voz resonaba en mis oídos.
supongo que realmente eres especial.
–
luego llegó febrero,
y volviste a la anarquía de mi vida.
me recogiste de hamilton y, con un amigo, nos aventuramos por la ciudad.
se intercambiaron palabras bajo los ojos de sol,
y hice lo mejor que pude para escuchar,
a pesar de la hipnosis de este maldito amor que me invade cada vez que hablas.
solo desearía que supieras lo que me hiciste.
al final de la noche, declaramos hablar de nuevo, reavivar la llama.
y lo hicimos.
hablamos y esa llama en mi corazón se convirtió en un infierno de amor abrumador.
creo que finalmente reconociste mi amor por ti,
porque me expresaste una verdad que has albergado durante mucho tiempo.
crees que no eres lo suficientemente buena para mi.
crees que me arrastraras hacia abajo.
amante, no podría estar más en contra de estos pensamientos que tienes.
déjame decirte, mi amor.
te mereces todo lo que hay en mi –
cada maldito pedazo de mi corazón, alma, mente, cuerpo y amor.
te lo doy todo.
pero la elección es tuya, mi amor.
tienes que luchar contra tus demonios y cruzar el otro lado de la carretera –
porque ahí es donde estoy, esperando.
mi amor y yo estamos aquí, esperándote.
by M.S. Blues
My Faith in Fate
You used to be someone—
Never mind who, never mind when,
But you used to
Cry at heartbreaking moments of a talkie,
Sob at the words at the end of a knife,
Do your tears dry up when you’re sixty?
Or is it all gone,
That surface-level sorrow, that lonesome feeling,
At the sight of your first wrinkle in the mirror?
You wished to be someone—
Never mind those dreams, never mind them at all,
Because they are figments of your imagination,
And they linger, still, in the corners of your mind,
Vanishing behind the shadows of your children,
And on the heels of your husband’s leather shoes,
A singer, no, you couldn’t get to the highest notes,
A surgeon, no, you hate ketchup and blood,
Resigned to being somebody’s wife, someone’s mother.
You talked about yourself—
Never mind your name, never mind your voice,
They see your face, pat your husband on the back,
They talk to you through your husband,
You don’t know words, you are deaf and mute,
You are spoken for, and speak only when spoken to,
A child, you are ushered towards the other wives,
Have fun, play with toys till it’s time to go,
You hate them all, the talking heads and drunkards.
You don’t know what to do–
Never mind yourself, never mind yourself at all,
They don’t know your name, they don’t remember,
You are Mrs So-and-So, So-and-So’s mother!
Your mother-in-law is a mother only to to your husband,
Only till you belong to the Earth once more,
To be resigned to fate once is divine punishment,
To meet a coincidence of fate again divine death,
And yet the dirt in between your toes disappears.
by Leya Kuan
Shadow of a Star - Leslie Cheung
Shadow of a Star
Has your soul changed at all
Since we last spoke?
This month your voice sounds the loudest,
I remember your death more than your birthday,
I remember the tears I shed every April First,
Mourning each passing year as it
Comes and goes like the droplets on my cheeks,
I remember your shadow more than your presence,
Mourning a person I never even knew
A voice on the radio, a reflection of light,
In your grasp, in your eyes, the world is small.
Has your voice changed,
Would you sing for me, if Heaven, if Hell,
Could you remind me of
The way things used to be,
Even though I never knew it, never knew you,
But maybe—just maybe—
In your foregone reality, there’s still the possibility,
And I think we could’ve been great friends,
Or maybe you would’ve hated me,
Maybe it could’ve all passed us by,
Like nameless ships in the sea, nothing ever exchanged.
Love of my life, love of many lives,
Your voice remains in my mind still,
You are gone, but a mere shadow,
But maybe–just maybe–
We shall leave together, you and I,
When I am alone, your soul remains with me still,
A friend in the dark, a voice, a shadow nonetheless,
I have to remind myself that you are far away,
And I do not know you, I never did,
Yet there is today, a missed opportunity of time,
Until next time, farewell my concubine.
by Leya Kuan
You/I Will
Sweetheart, I call you,
One day, if that day should ever begin,
You will be with your family, your children, your wife
And you will think of me, of us,
And you will stare at the yellowed photos of us,
It sends you into a trance, it was a simpler time,
Of days of flowers and folded notes,
Fleeing, fleeting, lost to the ashes of time.
Darling, I say your name,
You will be asleep on the couch, tie loosened, shirt unbuttoned,
You can’t hear me, or rather, you choose not to,
And I’ll wonder whatever this was all for,
If not for love, then for the guarantee of it,
I’ll put a blanket over you, think about holding a pillow over you,
And the days go by, just like that,
Slowly, surely, lost to the obscurity of our family’s time.
Sweetheart, I say again,
You will tell some story about us being young lovers,
And I will–obviously–beg you to spare me the blushing cheeks,
Each time you tell it there’s a different detail,
Each time I smile there’s a different wrinkle,
But when the children and grandchildren disperse out the door,
You’ll still be waiting there to see if anyone’s looking,
Softly, secretly, a kiss between two old youngsters.
Darling, if that day should ever come,
Then I’ll call my friends up and tell them I’m a fortune teller,
I’ve got the hottest news on celebrity gossip and lottery numbers,
But you’ll sit here, and you’ll wait for me, as I brag and cackle,
If that day should never come, then you will be there,
Still in a trance, still next to your wife, and I will be
Gone, or somewhere far away with someone else,
Always, after all, still on your mind.
by Leya Kuan
The Apocalypse Never Ends For Some of Us
They call it assimilation
I call it annihilation.
The belief that you must shed yourself
to access the white man’s bliss
when they have labeled you the white man’s burden.
It cuts like a dull knife, rough, & jagged, and though there’s no blood
there’s still loss; not all violence is as clear as a fist to the face.
Many give in to survive, but whether it is self-inflicted or imposed
it creates a wound that will not close. Not on its own.
I’ve heard it said that not all skinfolk are kinfolk
and it’s sad how we confuse monoliths for unity
and shrug off our communities.
They teach us if we don’t speak right we don’t deserve to be heard
by who holds the power. They cannot exert it if they don’t have it.
And they cannot have it unless you give it, so instead they take it.
And it’s not a crime if it’s sanctioned by the state
when violence becomes law they don’t have to negotiate
because ‘the law is the law’.
This is why they don’t want us to think.
So, when they call for my assimilation
I will respond with this declaration.
-yo no me quito.
I will not swallow the mothballs you try to feed me
I am at my softest physically and mentally
and that makes some people uncomfortable
(with themselves).
Statues of aphrodite reveal that the goddess of beauty and love
had some meat on her bones, as do I,
but I know I am not the West’s ideal type.
Maybe that’s why I’m not allowed to take up more space.
Maybe that's why I’m given less room to wiggle in.
My ass and tits have grown a bit
when it happened; I didn't realize that it was sacrilege.
I wonder what Taino deity represents beauty. I wonder what she looks like.
Is her hair long? Does she view herself as a her? Does she think she is beautiful? Or does that assessment come from others? Does she even care for beauty? Or is it just a known part of her?
I’ve gone through a metamorphosis and came out the other end thicker.
Who says the caterpillar must become a butterfly?
Maybe I’m a moth.
I like my softness, it makes me sturdier, and don’t we all need some padding
from the beatings of this world
from the beating of our own hearts
from the beating of the drums that tells you to get back up.
The butterfly is drawn to the flower.
I am drawn to the light
in the darkness.
BLOOD SUCKING SUCCUBUS
You’ve stuffed my heart with empty words
Fatten and full, ripe for picking.
You’ve eaten the hearts of all those before me
But you won’t eat mine.
You’ve bitten, nibble, sucked,
No more than a mouthful
But you won’t fill your belly on me.
Find someone else to roll over,
Crack open their ribs and feast on their soul
Fill your desolate tank of broken hearts,
But you won't get mine.
Not over my dead body
Or my blood-fattened heart.
PENT UP
I wanna rip every fingernail out from beneath
my skin and stick metal screws in their place
I wanna throw punches through a wall
with the temperament of a white man
as I watch the nail slow jam their
way further into my finger, so I’ll
Have a reason.
All I need is a reason.
I wanna slice open my skin and pull back
Each layer of fat and a muscle, rummage
Through each tendon until I find the veins I’ve never seen
glow through the first layer of my skin
And pluck at my veins until my heart stops,
So I’ll have a reason.
All I need is a reason.
I wanna rip my jaw clean off my skull
then people will finally fucking listen to me.
MARIGOLDS
“You’re worth more than marigolds” but less than your shoes. Footprints left on the petals of my skin and the roots of my mind. Brittle and bruised, picked and used by you. Absent of any light or hope, I’ll wait for you. After all you put me through, I’ll wait for you. You planted yourself next to my self-worth and shouted “Pick me, pick me”. As soon as I took you back, you bruised me. A wilted flower in a pretty garden, no one will want me.
I. won’t. wither.
When my husband turned 70
They gave him a cane carved
with the body
of the red-winged sparrow.
I was left
with dried lily petals
melting into my tongue
as I peeled
hardened skins of summer
grapes beneath my fingernails.
When my husband turned 75
He brought a dancing girl home.
Her name sounded like
"Red-tipped carnation of the West Wind"
She plucked the seeds out of
spring strawberries
with slender twin fingers.
When my husband turned 80
He filled my bowels with
cheap white wine
and forced me to sleep with
alley-way cats.
I shared a feast
of rotting salmon and fishbone
with the blind black
tiger.
When my husband died
Our son carried me upon his back
to the Forest of One Thousand Whispers
He set me beneath the eldest oak
Kissed my spotted cheek and
bade me a tearless farewell.
Still,
My legs entwine
with the roots of the
great Oak, my fingers take the flight
of ten thousand cerulean
swallows
My lips form the
babbling brook of the east meadow
as my eyes turn to
seaglass
beneath unturned stones.
I. won't. wither.
The Fireflies Sing Tonight
Murmurs hum in the thick August air like the
beating of a bumblebee's heart, the invisible
orchestra's cadence drawing the final curtain upon
the fox's tail cradling an orange sun.
Mother runs through the auburn fields, coal-colored
braids trailing in the wind. Her weathered hands carry a
tin pot, where she drops moonstones, bluebonnets and
lovebugs in a concoction of sap — "Honeypot tricks," she calls them.
As the sky becomes swatched with indigo hues and
black clouds, I take a wooden spoon and clang it against
Mother's honeypot. The fireflies come to feast upon her offerings
and, in return, show me the path to the city.
Twinkling lights dot the skyline as jazz beyond the bayou
shakes the earth beneath the soles of my feet. Coca-Cola lines
stretch around the curb as ladies in black sequins and
smoky pearls enter golden doors under neon lights. Boys
and girls in summer shorts & pinstripe tees chase the sparks
of orange fireworks.
I follow them but they are lost in cobblestone storefronts. Busboy
caps line the streetlamps as newspaper rags form coats of steel along the
brick walls of alleyways. A man with broken teeth who looks like me
asks, "Got a quarter for me, Missy?" but the fireflies ignore him and fly on.
I sequester myself in a silent theater as a piano crescendo
collides with the rainstorm brewing outside. The movie
begins to play, and I begin to cry for Mother.
Sacred ground
What is sacred ground?
Is it a ground steeped in rituals —
poured libations penetrating earth
finding routes to ancestors and memory?
Is it a place that holds the dead
or once-dead?
Is it a place where spirits walk
haunted by the irreverent nature
of those with flesh and bone ?
Is this body a sacred ground?
Does it remain sacred if others
have exploited,
treated it like a mining ground
emptied it of treasures,
planted seeds of death –
Left it hollow?
Is this body still hallowed
if no one is there to say a prayer
for its healing?
(my tongue has found no language yet for healing words)
If ancestors don’t hear it’s cries
to find their way back
to this body
to gift it flight
and
grounding.
Is this body still sacred ground if it’s not seen?
The grief eater
When my grandfather died
I thought my world would end.
My grandmother, teary eyed
And shaky voiced, said to me
“You wished it was me
they laid in that casket, nuh true?”
I, eyes swollen and tongue heavy
from biting back words, let loose
“He should be here with me now
He should not be the one
Who wanders through these rooms
formless and untouchable.”
I did not wait to watch her tears fall;
I never thought she could cry.
She let a choke-sound escape
but she hit her chest twice
then swallowed loudly
and walked briskly away.
Years on years would fly by and
grief became a muted song
But my words to her would remain
gnawing at my tender heart.
When her memory began to fail,
I prayed my grief-spurned words
disappeared into the abyss like
the fact that the story she was
telling me was about the tenth
telling in half hour or less.
I spread “I love you” (and meant it) over our conversations, like a blanket.
I prayed she held those so close
That even in her now formless state
It warms her and reminds her
Of the little girl she loved so fiercely
that she attempted to take her grief
And hurt and swallow it whole.
My body in your mouth
Baby fat:
To my mother you say:
she cute eeh,
watch har likkle chubby cheeks
and chunky thighs
I could just love har up.
I coo and smile, not understanding.
Pickney tings:
To my mother you say:
yuh never breastfeed har enough,
look how she look malnourished,
mawga bad bad; look how she tough?
I look down at skinny legs,
skinny, strong legs,
skinny, strong, brown legs
that let me run from boys who want to touch what’s not theirs
that lift me up into trees that girls
shouldn’t climb
that make me keep in step with
my granddad’s long strides.
I was confused.
Force ripe:
To my mother you say:
pickney nuh fi get breast so soon
smaddy must a feel dem up;
go get har checked out –
mark my words.
I look down at the bumps
raised higher than welts
nipples protruding beyond the swells
my tears rolled off them
like waterfalls over mountains.
I do not understand my body’s changing
I do not want this change
I squeeze them like pimples
they do not burst
but keep growing like
ripened fruits upon my chest.
I do not understand this change in my body.
Grown:
To me you say:
When di baby due? Di belly look round eeh.
A hope a nuh girl pickney yuh going have –
dem gi too much trouble fi raise.
I look down at my belly
empty of womb –
the site of life
and death.
I look at its softness
the rolls that shake
when I belly laugh
the joy that bubbles up and can’t be contained
the rolls that shake when I dance
when no one’s looking
the rolls that lovers hang on
to for dear life
when riding that high wave.
I smile,
I understand.
my body
that holds me up
it brings me joy
and pain in equal measure
it is a source of beauty
and shame
But it deserves to be loved
every inch of it
deserves all the sweet
and empowering things to be whispered over it
etched on it like a mural.
I reach over to you
I part your lips,
gently at first
(you are surprised)
I put my fingers in
then my hand
I grip firmly on to your tongue
and rip my beautiful body from
your mouth
I understand:
my body has no home there –
there with its putrid lies.
I leave you tongue-less and bloody
grabbing at your throat
missing the way
my body used to sit in your mouth.
The Love Story of our Friendship
Where do I begin…you promised to be here for me to the end… you have seen the good, the bad and the ugly… but you never made me feel less than and felt that you were above me. I remember when we first met, we talked about all our hopes and dreams… but whenever I felt doubtful you always reminded me that my dreams are never as far as they may seem.
You seen me laugh… you seen me cry… you have seen all of my faces and different sides… you always seem to bring me out of my shell… but also create a safe place for me to tell my deepest thoughts and secrets in which you promise never to tell… you know when I have the tendency to put up walls… but I don’t have to be scared with you by my side because you’ll catch me every time I fall… you wipe away my tears from all the pain of it all.
This world would be harder to deal with if I didn’t have you in my life… if we never would have met it would have been a harder fight... but I love you and you mean so much that I’ll always hold you tight… even in the darkest of times you always seem to find the light… make me feel alright… I have so much love for you that no amount of words can describe… thank you so much for being my ride or die.
Escape From Your Heart
It’s hard for you to have your feelings for me escape from your heart… you felt your world change when I got on a different plane to depart… that’s when you started to fall apart… not to a different location, but we aren’t in the same place… you felt like another person would be able to take my place… we’re moving at a different pace… now you fell flat on your face and looking for saving grace.
The way that I made your heart feel with an abidance of emotion… you took for granted my time and devotion… but soon you’ll realize that I’m never coming back and you’ll wish to have a magi potion, to beg for my return… now those tears you cry actually burn.
You can’t escape the impact that I had on your life… now you feel alone because you lost the fight… now you feel the pain you caused, each and every slice… the weight that held me down, now I’m free to fly high like a kite… now you’re left with the bill to pay the price.